Showing posts with label Mari Seder. Show all posts
Showing posts with label Mari Seder. Show all posts

Friday, March 3, 2017

Young Boy Transformed into Carnival Bride in Mexico


For the third time in nine years I am in Oaxaca, Mexico for the Carnival Workshop taught by my friend Mari Seder and her colleague Humberto Batista.  We are here to explore painting and photography and to enjoy the unique Carnival celebrations in this part of Mexico.

Last Tuesday, Feb. 28, we traveled to the village of San Martine de Tilcajete where the carnival celebrations include a parade led by a mock bride and groom (both men) who lead a noisy and ribald crowd through the village followed by “Devils” and costumed celebrants and a brass band.

Usually the man who is dressed as the bride—a great honor—is in his 30’s and plays the role comically.  I’m told it began as an annual parody by the peasants of the richer classes and their behavior.  The parade stops at the Mayor’s house and involves lots of drinking and sharing of local gossip in rhymed couplets. But this year the role of the bride was taken by a young boy of 13, Zutiel Jimenez Ortega, who had caught the bouquet thrown by last year’s bride.

 
For the first time I was at the home  in the primitive cluster of stucco huts that make up his family compound, along with about 20 other photographers, early enough to see the boy prepared by his family members for the transformation into this all-important Carnival role. 

Clearly he was nervous, scared, and reluctant to put on the garb of the bride.  I can’t remember ever before crying while photographing a story, but seeing him/her sitting on a bed surrounded by dolls and toys, all alone in this new persona, brought me to tears. 

His  mother (in the turquoise top) came into the room to advise him and she proudly showed the photographers outside a photograph of the boy, four years before, (on the left) when he was only 8 and was one of the grease-covered "devils" who tagged along in the parade. 

  
But as the morning progressed, after encouragement from family and friends, the Carnival bride rose to the occasion and took her part at the head of the parade with great élan.

The "mock wedding" is a tradition in many countries at Carnival, when roles are reversed and cross-dressing is encouraged.  (Witness the two six-foot-tall cross-dressers below, with friends.)  The bride role played by the boy here is not about homosexuality, but it is more poignant than usual, it seemed to me, because the person playing the starring role was at a threshold, considering with mixed feelings, the life that lay ahead of him as an adult.


Saturday, November 5, 2016

"Holy Death", the Virgin of Juquila and My Painting

Since it is the season of the Days of the Dead, I decided to re-post one of my very first blog posts, published on November 18, 2008, about a painting I did inspired by some of my visits to Mexico.  (I'm hoping to make another visit to Oaxaca in February.)
My friend, photographer and teacher Mari Seder, first introduced me to Mexico, its incredible colors and fascinating folk and religious art when I visited her in Oaxaca many years ago.

Several years ago I traveled with her to the isolated Church of the Virgin of Juquila on the mountainous road from Oaxaca to Puerto Escandido. Pilgrims come here by foot from all over Mexico to ask for a miracle from this tiny, dark-skinned figure of the Virgin who is housed in a massive church.

The pilgrims walk for days, sleeping in village squares, fed by pious Mexicans, until they reach Juquila. They often approach the saint on their knees. The tiny figure (who is considered Indian because of her dark skin) has a white train which stretches out of the church and far into the distance. Pilgrims leave on the train gifts and hand-made wooden crosses either specifying the favor they need or thanking her for favors received. My photo at right below shows two Indian women on their knees approaching the Virgin, one with a blond baby on her back.

 Three years ago on March 21 my daughter and I were on a tour led by cooking guru Susanna Trilling (http://seasonsofmyheart.com/). We were at El Tajin – a pre-Columbian archeological site in Veracruz, composed of multiple pyramids. It was the Spring Equinox and hundreds of Mexicans, all dressed in white, came there to be cleansed by the Sun God with the aid of cueranderos (healers).

On the way into the pyramids, among the many objects on display on the road outside, I noticed the skeletal lady dressed as a Spanish Senorita. I had never seen anything like her … she was like the many Guadalupe virgins seen everywhere, but she was Death.  So I took her photo, but no one could tell me exactly what she was for. They told me she was Santa Meurte and I could see she was available for some kind of religious ceremony (for a price) but I couldn’t get any other kind of information. Everyone seemed reluctant to talk about her.

Last year in February in Oaxaca I attended a class sponsored by the Worcester Art Museum called “Expanding Your Vision -- Painting and Photography in the Magical World of Oaxaca, Mexico”. It was taught by my friend Mari Seder and Oaxacan artist Humberto Batista. (Nowadays they still offer classes in Oaxaca, but they're doing it on their own: http://www.artworkshopsinoaxaca.com/) Humberto strongly encouraged the students to think outside the box and to paint something unlike their usual style.

At his urging (although I am VERY literal – usually painting just what I see) I incorporated the figure of Santa Meurte from El Tajin into my painting of the interior of the Church of Juquila. The result is the painting above.

I was surprised and excited when I recently picked up the New Yorker dated Nov. 10 and found an article by Alma Guillermoprieto called “Days of the Dead, The new narcocultura.” She wrote about the narcotics trafficking that is causing such bloodshed in Mexico and she investigated the role of “The Holy Death” – especially as she is celebrated in a mass every day in a troubled neighborhood of Mexico City called Tepito where the drug dealers and addicts collect.

The author suggested that there are two thousand shrines in Mexico to Santa Meurte and that she is the saint of drug traffickers (although the woman who established the large shrine in Tepito denies that it is only for drug traffickers.)

When I painted the watercolor at top, showing a woman crawling toward the Virgin of Juquila , I imagined that she was going to ask the Virgin to heal her baby and was encountering Santa Muerte blocking her way to salvation. If it’s true that Holy Death is the saint of narcotics dealers, that adds another dimension to the painting. Perhaps the baby’s health and safety are threatened by some version of the narcocultura (maybe not now but when he grows up.)

The thought gave me a shudder, appropriately enough at this season which celebrates the Days of the Dead. And it adds a layer of unexpected meaning to the painting

Friday, April 1, 2016

Mezcal & My Favorite Mexican Photos

 I keep reading articles about how mezcal is becoming the trendy drink, for instance "Mezcal Sunrise" by Dana Goodyear in the current New Yorker.  That inspired me to look up and re-post this photo essay from five years ago.  I really miss my annual cooking tours to Mexico with Susana Trilling and her "Seasons of the Heart" and the painting and photography classes in Oaxaca with my friend Mari Seder, but nowadays my travel lust takes me just to Manhattan and my grandkids.  When I turned 75, Nick said to me, "What do you want for your birthday?  A trip to Mexico?" and I instantly replied, "No, a trip to Disney World in Orlando with Amalia and Nicolas!"  So that's happening during the last week in April.  And of course I'll blog about it.

Wednesday, October 7, 2015

Angels and a Menage å Trois in the Cemetery


7 comments:

Joan Ellen Gage said...
Fascinating! Did you find any Gages, as my Dad is a geneology fiend? We do have relatives in New England, especially.
by Joan Gage said...
Hi Joan Ellen! There were some Gages--I know a Dr. Gage was an important person about a century ago in Shrewsbury MA, near where we live, but since "Gage" is not really my husband's name (the real name is Greek and as a reporter he had to shorten it to get a by-line that fit in one column) and because it was raining pretty hard while I was in Rural Cemetery, I did not do a very good job of tracking down Gage tombstones.

Joan
civil war researcher said...
I loved the pics from Rural--the Crompton Mausoleum is very beautiful. A friend of mine was a family member and is buried outside of it on the grounds. When a family member dies and is buried there they open the mausoleum so you can pay respects to those buried inside and it interesting to see the interior.
over60andfabulous said...
How wonderful to find another blogger 60+ !! I am following - your pictures are lovely - my family has been here since 1776 & this is such an interesting topic. Thank you for sharing.
All the best, Mimi
http://inmyprimetime.blogspot.com/
by Joan Gage said...
Thank you to both Civil War researcher and Mimi, who's over 60 and fabulous! It's fun to meet friends who are as fascinated by cemeteries as I am.

Joan
Marie Sultana Robinson said...
My maiden name is Crompton. This is my family crypt. The faces of the angels are the women of my family. Yes, we used to open the crypt when we had funerals. Nearby are the Smiths which were part of the family as well. To most it's beautiful to me, it's a step into the past and family. Beautifully done pictures.
Marie Sultana Robinson said...
If you are researching the Civil War. George Crompton retooled the looms so they could manufacture the bolts of cloth to make uniforms. He was used as a model for the soldier in the Civil War monument downtown.