More Thanksgiving Shortcuts from a Lazy Grandma

--> It's time to post my yearly essay about Thanksgiving shortcuts from a lazy cook (me). It changes slightly every year as I find more ways to cut down my holiday hysteria with even more shortcuts.  For example, this year I got our turkey from Trader Joe's because it 's already brined as well as "all natural, no antibiotics,  fresh" and  the turkeys "roam free...and they're fed an all vegetarian diet."  And they're very reasonably priced!   

I'm starting my annual baking tonight before the kids and grandkids arrive on Wednesday and on Thursday we'll sit down to a Thanksgiving table set for 12, including five-year-old granddaughter Amalia and 18-month-old grandson Nicolas.  Last year  Amalia made me promise that we'd bake an "orange pie" together, which I took to mean a pumpkin pie, and she decorated the top with a ring of candy corn left over from Halloween.  The pies pictured above are from a Thanksgiving several years ago, in the days when I would make three pies and a pumpkin roll every year. 
 
Every Thanksgiving I'd try a different apple pie recipe in the hopes of finding the prize-winning pie that will bring tears (of joy, not sorrow)  to my family’s eyes.  This year I'm only baking the Chocolate Kahlua pie (at right above) which has become a tradition that the family insists upon.  I'm ordering a pecan pie and an "Apple Croquante" from a wonderful  bakery that popped up next to my hairdresser's in Westborough, MA.  It's called "Yummy Mummy Bakery" and has addictively delicious brownies all year round.  By popular demand, I'm substituting for the old faithful pumpkin pie (which nobody ever finished) some incredibly delicious Melt-In-Your-Mouth Pumpkin Cookies which I made last Christmas and then had to make again after Christmas.

For 46 years I’ve been streamlining Thanksgiving cooking  because I’m lazy, and my Greek relatives still don’t realize that my special cornbread stuffing comes out of a package (slightly doctored up.)  They spend days making their Greek stuffing, which includes chestnuts, hamburger and a lot of other good things.  Amalia's honorary Grandma, "Yiayia" Eleni Nikolaides, will be making it for our table this year.  Of course everyone prefers the Greek stuffing, but I still make my cornbread stuffing, because it’s “tradition.”   Another tradition is everyone competing for the honor of wearing the Turkey hat, which Nicos won last year.  He's next to "Yiayia" Eleni Nikolaides.

Amalia wore her turkey dress to the Thanksgiving show at her school last year

 Nowadays magazines and ads on TV make much of the young wife and mother terrified by the complexities of roasting a turkey and serving Thanksgiving dinner to a crowd. I think the whole thing has been vastly over-complicated by the media. So I’m going to share my sneaky shortcuts for a super-easy Thanksgiving.

The Turkey—don’t stuff it! A turkey roasted with the stuffing inside takes much longer and then you have all those risks of food poisoning if you leave the turkey and stuffing unrefrigerated long after taking it out of the oven. Stuffing baked in the turkey comes out soggy. I prepare my stuffing on top of the stove.The directions are on the back of the Pepperidge Farm Corn Bread Stuffing package—Melt 6 TBSP butter in a saucepan, add a cup of chopped celery and a cup of chopped onions, cook for 3 minutes. (Then I throw in sliced mushrooms and maybe this year chopped apples and cook some more. You could also add chopped chestnuts or pecans and crumbled bacon or sausage.) When everything is softened, you throw in 2 1/2 cups water or broth  and add the stuffing mix, stir and you’re all done.

As for the turkey—I always get a fresh turkey, even though it costs more, so as not to have to defrost it for days and then find it still frozen on Thanksgiving morn.  Last year I got mine from a nearby Wegman's and bought the organic kind, which cost five times as much as the non-organic kind, but I justified the expense to myself and a sticker-shocked husband by saying the turkey was free range, had a happy childhood, and was never injected with hormones. (This year I got the already brined free-range turkey described above from Trader Joe's.) When I put it in the oven, I'll cut an onion and a couple oranges in half and put them in the cavity first.  For the last 15 minutes I'll baste it with an Apple-cider glaze from an old Martha Stewart Living.  (Do you remember the Thanksgiving when Martha recommended deep-frying your turkey and many faithful readers risked life and limb trying?  This year she recommends starting the turkey upside-down, nestled on slices of bread on a v-shaped rack for 45 minutes, but I'm certain that, when it came time to turn it over, I'd drop it. So I'll stick with a turkey cooking breast-side up, but with an aluminum foil tent  on it after it's nicely browned.  Tradition! (Don’t forget, the turkey needs to sit for a half hour to soak up the juices.  But without stuffing, it cooks a lot faster, so I won't have to get up before sunrise to start it.)

Green Bean Casserole and Candied Sweet Potatoes with Marshmallows: I don’t make them. I came to realize that nobody eats them. What I do make is: Parmesan Potato Casserole which is mashed potatoes in a casserole dish with a lot of butter and cheese, cream and eggs stirred in and then you bake it with some cheese and parsley on top. I cook Wild Rice mix straight out of the Uncle Ben box. Artichoke hearts alla Polita with peas and dill. Corn and red pepper casserole.  Stuffed mushrooms as an appetizer.
2016 Update: Daughter Eleni has been doing research for a magazine article on foods that are likeliest to improve health and increase longevity, and it seems that sweet potatoes are one of the best.  Who knew? So this year, at her suggestion, I'm going to make Coconut-Mashed Sweet Potatoes from the Blue Zones site. 

Gravy—open a can. I’ve tried about a million “No-fail turkey gravy” recipes over the years and I manage to fail every time. What I do now is open a couple cans of store-bought turkey gravy, chop up some of the neck and liver of the turkey (which have cooked in the roasting pan alongside the turkey), add a nice splash of some liquor—like sherry—or you can throw in some of the pan juices. Who’s going to know that it came out of a can? (Update--this year I'm using Trader Joe's Turkey Gravy which comes in a small carton, not a can.)

Orange-cranberry relish—you can make this up to a month ahead. Everybody loves it and it makes even the driest turkey taste better. Pick over and grind in the blender a one pound bag of cranberries. Grind up a couple oranges—pulp and rind. Mix together with two cups sugar or more. Chill in the refrigerator--the longer it sits the better it tastes. I always make a double recipe.

When the kids were small I would have them cut with scissors a jagged edge around hollowed-out orange halves to make little baskets to hold the cranberry relish—I’d put the baskets surrounding the turkey. Nowadays I surround the turkey on its platter with bunches of green and purple  grapes.

Place cards and menus—Making the place cards or favors is a great way to keep children busy and out of your hair. I used to have mine make favors/place cards that were turkeys fashioned out of (store bought) popcorn balls with a ladyfinger for the head and neck, three toothpick legs to stand, red or orange cellophane tied around the popcorn ball and gathered for a tail.—The three-legged turkey was then stuck in a large flat cookie, where the name would be written using those cake-decorating tubes.  Last year granddaughter Amalia made our place cards --colorful paper turkeys with googly eyes from a kit I bought at a Paper Store in Manhattan.  Stores like Michael's now offer place mats to color and place-card kits to assemble.... perfect for keeping the little darlings busy through the long Thanksgiving meal.

Here's our table last year.  Papou Nick, as the patriarch,always sits at the head of the table to carve the turkey. 

 The centerpiece is always the same—I have a basket shaped like a cornucopia, filled with various fruits, nuts and some fall flowers that have survived in the garden. Couldn’t be easier. Candles in candle holders.  Also I've acquired a bunch of rubber turkey finger puppets which Amalia has already commandeered.    And yes, everyone has to tell what they're thankful for. I always print out on the computer a small decorative menu for each plate so people know what they’re eating. What they won’t know is how easy it was, unless you tell them.

Obama Visits Greece and Nick Quotes Him the Bible

 

Last Sunday, Nick and I were in New York when he got word that he was invited to attend the state dinner in President Obama’s honor to be given by the Greek President Prokopis Pavlopoulos in the Presidential Palace in Athens on Tuesday night.

So we drove back to Massachusetts while Nick scrambled on the phone to find a flight out of Boston that would get him to Greece in time for Tuesday.  (There are no direct flights to Athens at this time of year.) He eventually flew on Monday afternoon on Lufthansa to Frankfurt and then to Athens, arriving midday on Tuesday. I really wanted to go too, but the Embassy told him no spouses were coming, not even Michelle Obama.

Nick has sent me photos of the event, which he thoroughly enjoyed.  Young women in native costume welcomed the 120 guests entering the grand dining room.  They were seated at long tables arranged like three sides of a rectangle, or the Greek letter pi. Obama sat in the center of the head table, at the right of Greek President Pavlopoulos and on Obama’s right was Greek Prime Minister Alexis Tsipras.

  I was amused to see that Tsipras, who as a Marxist and leader of the leftist Syriza party made a point throughout his campaign of never wearing a tie, appeared throughout the state dinner and other events honoring Obama, always tie-less in an open-necked white shirt.  I was also amused that the Prime Minister, an avowed atheist, was seated next to the Archbishop of Athens. I wonder what they talked about.

While Prime Minister Tsipras speaks halting English, Greek President Pavlopoulos knows it well, but both made their public remarks in Greek and then paused for an English translation.  Watching the event on Greek TV, I heard Obama whisper to President Pavlopoulos, “Is this your house?  Do you live here?” and Pavlopoulos answered, “No, I have a home over by the Hilton.”

The menu, printed in two languages, featured “Shrimps with citrus fruits”, “rice with vegetables and herbs”, “baked grouper with greens, garnished with potatoes and cherry tomatoes”, “chestnut dessert”, ”seasonal fruit, two kinds of wines and coffee.

President Obama began his remarks with “kalispera” (good evening) and lauded Greece for the country’s hospitality, humanity and its contributions to the world as the source of democracy.  After the Greek president and prime minister spoke,  the children’s choir of the Greek National Opera sang four songs, both John Lennon’s “Imagine” and Simon and Garfunkel’s  “Sounds of Silence” and two popular Greek songs by Theodorakis and Hadjidakis.  Afterward, Obama enthusiastically mixed with the children and thanked them for their performance.

Sadly I have no photo of Nick talking to Obama.  At U.S. State dinners, there is usually a photographer who takes your photo as you are introduced to the President in a reception line, but at the Greek state dinner, Obama shook hands with the guests as they filed out of the dining room.

Nick had a brief conversation with Obama which delighted them both—Nick said, paraphrasing a famous statement made by Saint Paul right before his martyrdom: “Mr. President, you have fought the good fight, you have finished the race, you have kept the faith.  History will not slight you.”  Obama replied, “Thank you. That means a lot to me.”  Then he took a few steps, turned back smiling and said, “Letter to Timothy right?” (He was right, it’s from 2nd Timothy 4:7.  Proof that our President knows his Bible and was not dozing during Sunday school.)

The next day, Wednesday, Obama visited the Acropolis Museum and saw the Parthenon for the first time.  Then he spoke to a large group of invitees at the new Stavros Niarchos Cultural Center.  Nick was there.

I asked Nick, when it was all over, if he felt Obama’s visit to Greece had been a success. (It was covered live for three days on Greek TV, which I watched sporadically.) The New York Times said last Tuesday that Trump’s victory had rattled Greece because “Obama had been supportive of Greece’s efforts to get its finances in order, and of Europe’s bid to keep Greece stable.  Prime Minister Alexis Tsipras hoped that Mr. Obama, who travels to Berlin on Thursday, might even persuade the German chancellor, Angela Merkel, to offer Greece some debt relief by the end of the year.”

In answer to my question Nick said, “I think it was important to both the visitor and the visited. Obama, as he finishes his presidency, wanted to go to the fountainhead of the values he pursued as President. And that of course is Greece, where democracy and individual rights and equal justice under law were developed.  And the Greeks needed somebody to show compassion for their plight in view of the hard stand their fellow Europeans, especially the Germans, are taking. I think both of those goals were fulfilled very successfully. Obama was really in top form.”

 

"Holy Death", the Virgin of Juquila and My Painting

Since it is the season of the Days of the Dead, I decided to re-post one of my very first blog posts, published on November 18, 2008, about a painting I did inspired by some of my visits to Mexico.  (I'm hoping to make another visit to Oaxaca in February.)

My friend, photographer and teacher Mari Seder, first introduced me to Mexico, its incredible colors and fascinating folk and religious art when I visited her in Oaxaca many years ago.

Several years ago I traveled with her to the isolated Church of the Virgin of Juquila on the mountainous road from Oaxaca to Puerto Escandido. Pilgrims come here by foot from all over Mexico to ask for a miracle from this tiny, dark-skinned figure of the Virgin who is housed in a massive church.

The pilgrims walk for days, sleeping in village squares, fed by pious Mexicans, until they reach Juquila. They often approach the saint on their knees. The tiny figure (who is considered Indian because of her dark skin) has a white train which stretches out of the church and far into the distance. Pilgrims leave on the train gifts and hand-made wooden crosses either specifying the favor they need or thanking her for favors received. My photo at right below shows two Indian women on their knees approaching the Virgin, one with a blond baby on her back.

 Three years ago on March 21 my daughter and I were on a tour led by cooking guru Susanna Trilling (http://seasonsofmyheart.com/). We were at El Tajin – a pre-Columbian archeological site in Veracruz, composed of multiple pyramids. It was the Spring Equinox and hundreds of Mexicans, all dressed in white, came there to be cleansed by the Sun God with the aid of cueranderos (healers).

On the way into the pyramids, among the many objects on display on the road outside, I noticed the skeletal lady dressed as a Spanish Senorita. I had never seen anything like her … she was like the many Guadalupe virgins seen everywhere, but she was Death.  So I took her photo, but no one could tell me exactly what she was for. They told me she was Santa Meurte and I could see she was available for some kind of religious ceremony (for a price) but I couldn’t get any other kind of information. Everyone seemed reluctant to talk about her.

Last year in February in Oaxaca I attended a class sponsored by the Worcester Art Museum called “Expanding Your Vision -- Painting and Photography in the Magical World of Oaxaca, Mexico”. It was taught by my friend Mari Seder and Oaxacan artist Humberto Batista. (Nowadays they still offer classes in Oaxaca, but they're doing it on their own: http://www.artworkshopsinoaxaca.com/) Humberto strongly encouraged the students to think outside the box and to paint something unlike their usual style.

At his urging (although I am VERY literal – usually painting just what I see) I incorporated the figure of Santa Meurte from El Tajin into my painting of the interior of the Church of Juquila. The result is the painting above.

I was surprised and excited when I recently picked up the New Yorker dated Nov. 10 and found an article by Alma Guillermoprieto called “Days of the Dead, The new narcocultura.” She wrote about the narcotics trafficking that is causing such bloodshed in Mexico and she investigated the role of “The Holy Death” – especially as she is celebrated in a mass every day in a troubled neighborhood of Mexico City called Tepito where the drug dealers and addicts collect.

The author suggested that there are two thousand shrines in Mexico to Santa Meurte and that she is the saint of drug traffickers (although the woman who established the large shrine in Tepito denies that it is only for drug traffickers.)

When I painted the watercolor at top, showing a woman crawling toward the Virgin of Juquila , I imagined that she was going to ask the Virgin to heal her baby and was encountering Santa Muerte blocking her way to salvation. If it’s true that Holy Death is the saint of narcotics dealers, that adds another dimension to the painting. Perhaps the baby’s health and safety are threatened by some version of the narcocultura (maybe not now but when he grows up.)

The thought gave me a shudder, appropriately enough at this season which celebrates the Days of the Dead. And it adds a layer of unexpected meaning to the painting

President Reagan's White House Ghost Story

It's become a Halloween tradition for the Rolling Crone to re-post the story told to me by President Reagan of his own encounters with White House ghosts and other haunting happenings experienced there through the ages.

Ever since the White House was first occupied in 1800, there have been rumors of hauntings, but I got this story direct from the President. No, not President Obama. I first heard about the White House ghosts directly from the lips of Ronald Reagan.

It was March 18, 1986, and my husband Nick and I had been invited to a state dinner in honor of Canadian Prime Minister Brian Mulroney. The State Dining room was filled with gold candlesticks, gold vermeil flatware and vermeil bowls filled with red and white tulips. I had the great privilege of being seated at the President’s table along with Chicago Bears’ running back Walter Payton; the Canadian Prime Minister’s wife Mila Mulroney; the president of the Mobil Corporation; Donna Marella Agnelli, wife of the chairman of Fiat; Burl Osborne, the editor of the Dallas Morning News, and Pat Buckley, wife of William Buckley.

The President, a brilliant storyteller, entertained the table throughout the meal and the story I remember best was about his encounters with the White House ghostly spirits. Here is how I wrote it later in an article about the dinner for the Ladies’ Home Journal: “According to the President, Rex, the King Charles Cavalier spaniel who had recently replaced Lucky as First Dog, had twice barked frantically in the Lincoln Bedroom and then backed out and refused to set foot over the threshold. And another evening, while the Reagans were watching TV in their room, Rex stood up on his hind legs, pointed his nose at the ceiling and began barking at something invisible overhead. To their amazement, the dog walked around the room, barking at the ceiling.

'I started thinking about it,' the President continued, 'And I began to wonder if the dog was responding to an electric signal too high-pitched for human ears, perhaps beamed toward the White House by a foreign embassy. I asked my staff to look into it.'

The President laughed and said, 'I might as well tell you the rest. A member of our family [he meant his daughter Maureen] and her husband always stay in the Lincoln Bedroom when they visit the White House. Some time ago the husband woke up and saw a transparent figure standing at the bedroom window looking out. Then it turned and disappeared. His wife teased him mercilessly about it for a month. Then, when they were here recently, she woke up one morning and saw the same figure standing at the window looking out. She could see the trees right through it. Again it turned and disappeared."

After that White House dinner, I did some research and discovered that half a dozen presidents and as many first ladies have reported ghostly happenings in the White House. It’s not just the ghost of Lincoln that they see, although he tops the hit parade. He caused Winston Churchill, who was coming out of the bathroom naked but for a cigar when he encountered Lincoln, to refuse to sleep there again. And Abe so startled Queen Wilhelmina of the Netherlands that she fell into a dead faint when she heard a knock on the door and opened it to find Lincoln standing there.

I also learned that the Lincoln bedroom was not a bedroom when Lincoln was President—it was his Cabinet Room where he signed the Emancipation Proclamation.

It’s well known that Abraham Lincoln and his wife held séances in the White House, attempting to contact the spirit of their son Willie, who died there and who has been seen walking the halls.

The ghost of Dolley Madison, wife of James Madison, appeared often in the Rose Garden, which she planted. There is even reportedly a Demon Cat in the White House basement that is rarely seen. When it does appear, it is foretelling a national disaster. While the Demon Cat may at first look like a harmless kitten, it grows in size and evil the closer one gets. A White House guard saw it a week before the stock market crash of 1929 and it was also reportedly seen before Kennedy’s assassination in 1963.

Abigail Adams’ ghost has been seen hanging laundry in the East Room—she appeared frequently during the Taft administration and as late as 2002 and is often accompanied by the smell of laundry soap.

Lincoln himself told his wife he dreamt of his own assassination three days before it actually happened. Calvin Coolidge’s wife reported seeing Lincoln’s ghost standing at a window of the Oval Office, hands clasped behind his back gazing out the window (just as Reagan’s daughter saw a figure in a similar pose.) Franklin Roosevelt’s valet ran screaming from the White House after seeing Lincoln’s ghost . Eleanor Roosevelt, Ladybird Johnson and Gerald Ford’s daughter Susan all sensed Lincoln’s presence near the fireplace in the Lincoln Bedroom.

I’d love to find out if the Obamas have encountered any ghostly knockings, or if their dog Beau has suffered the same alarming anxiety attacks as Reagan’s dog Rex. Tomorrow, as the portals between this world and the other world swing open, I suspect the White House will be hosting a ghostly gala of the illustrious dead.

(If you have any  personal paranormal experiences to report, let me know about them at: joanpgage@yahoo.com )

Plastic Trash Makes Serious Art

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When my friend Mari Seder suggested we go to the opening of a new exhibit at the Fitchburg Art Museum—an exhibit entirely devoted to plastic—I was dubious, but it turned out to be full of funny and serious art that inspires visitors while addressing the subject of how our plastic trash can threaten the environment.

The infamous pink plastic flamingo was invented in 1957 by designer Don Featherstone for Union Products in the Fitchburg/Leominster area of Massachusetts, so it was not surprising that a flock of flamingos greeted the many visitors to the opening of “Plastic Imagination” on September 25.

 Inside we found enthusiastic crowds of all ages as well as the ten artists who contributed to the show.  Dominating the lobby, hanging from the second floor ceiling, was “5 Gyres, All in the family debris” by artist Lisa Barthelson, who built it specifically for the show, using only bits of plastic culled from her own family’s discards.  “It’s an ode to the plastic gyres which are clogging our oceans into this horrifying plastic  stew, while celebrating all the plastic that has come through my house,” she said. 

 It was part of her “family Debris Series” which also included this beautiful Mandala, made primarily of toothbrushes, contact lens containers, peanut jar caps and other plastic throw-aways—all used by her family.

Lisa also created this “dis-carded armor” made up of her family’s old credit cards and other plastic cards like the ones that clog my wallet.

 Here is Lisa (right) talking to Mari in front of an installation called “Shell Symphony”  by Margaret Roleke, which is made entirely of plastic rifle shell cases. 

 Roleke uses plastic toy soldiers in her art and is often sending a message about war, as in “Barbie Lives in a Police State” and “White War”, but she says her art is also  evolving into ideas about popular culture and consumerism.

 

 

 The curator of the Fitchburg Art Museum, Mary Tinte said, “This show, hopefully, is an invitation to come explore and tap into the wonders of plastic,  but also allows us to grapple with… how we’re walking the fine line between its necessity and usefulness and how  it…makes our lives better, but on the flip side, how we might need to address the pitfalls of how we are consuming it in such great quantities.”

 

 “Yellow Barrel” by Tom Deininger weighs nearly 300 pounds.  Here it is from afar and close up.

And here’s his “Mt. Rainier” seen from far and near.

A history of the plastics industry was provided at the exhibit. It began in Leominster in the 1800s and the area still includes more than 70 successful plastics companies, some of whom helped sponsor the exhibition. In the 1800s many businesses in Leominster made hair combs from animal horns, but when the supply of horn was dwindling, and an early form of plastic was discovered, the machines for horn items were converted to using plastic.

Here is one of the vintage advertisements I saw on the wall—“Tupperware. Best thing that’s happened to women since they got the vote.”

On one wall is a pink flamingo holding a bag of plastic pieces with the message: “Have you been inspired by the artwork you saw today?   Purchase a bag of plastic ‘stuff’ in October and November at the Museum’s front desk for a refundable $5.00.  Take it home and make a fabulous sculpture or wall hanging.  Bring your creation back to the museum for an exhibition on December and we’ll return your $5.00.”

I didn’t purchase the bag full of plastic ‘stuff’, but I did decide I would take a good look at all the plastic detritus that comes into our house before throwing it out (yes, we do recycle!) and will try to turn some of it  into art, instead of trash.

After My Nails Fell Off...

You may have read my blog post in late July called "Rocky Start to a Greek Vacation"in which I describe getting a really bad case of Hand, Foot and Mouth Disease (also called Coxsackie Virus) from my grandkids as we flew to Greece for our family vacation.  It hits children, usually under five, and goes away quickly, but in adults it's worse.  The Greek dermatologist that I saw warned me "In a week your nails will start to fall off."  (My American dermatologist, when I got back, thinks that I had another virus already in my system by the time I was exposed to HFM Disease-- Certainly my immune system was compromised by all the bustle getting ready for the trip and the worst-ever 9-hour flight during which neither kid slept.)

I discovered that there are so many things you can't do when you have no nails--button your blouse, put on jewelry, pick up things like coins, even turn the pages in a book. But stick around--this is a story with a happy ending.

Starting last weekend we have a whole lot of parties coming up--back-to-school party, baptisms, birthday parties around the pool.  I couldn't face last weekend's "welcome to college for incoming students from Greece" party when my hands looked like something from "The Mummy Returns."

So I went to my friend and manicurist Mary Ryan from "Nails At Panache" who put on a set of false nail tips (but with no acrylic.)  This is what she says she does for girls going to the prom who don't want permanent nails.  Naturally it was difficult gluing them (with resin) to the bumpy surfaces of my nail-less hands. They don't stay on long, but would last through the party, and now, when they fall off, I just super-glue them back in place.  (Yes, Eleni, and I'm taking Biotin every day.)

It made such a difference --to me, if not to onlookers--and everyone had a good time last Sunday.

Mary is a good friend who--through the years--has given me her famous Pumpkin Roll recipe, taught me how to use my smartphone, attended our baby showers, and given me the confidence to attend my own party.

Remembering Sixties Fashions and Mad Men Days

I posted this over four years ago and forgot about it, but then son Chris and his wife Ruth referred to it--they're researching the Sixties and Seventies for a TV show script--and I thought it was pretty funny, so I'm re-posting it.

 

                                                                                       Megan on Mad Men

As the reaction to Mad Men’s season premiere last Sunday proves, today’s younger (than I am) generations are fascinated with the lifestyle, the fashions and especially the presumed decadence of life in Manhattan in the 1960’s.

For those of us who lived through it, the show brings nostalgia, bittersweet memories of youthful foolishness, and frequent hilarity at anachronisms that slip by, despite the dozens of people on the program who are working to make every ash tray, cocktail shaker and plaid blazer authentic to the period.

I was 19 and in college when the 1960’s began.   In the summer of 1963 I graduated from the University of California,  Berkeley (English Lit.), and entered Columbia’s Graduate School of Journalism in the fall for a year-long Master of Science program.   My first job after graduating was in public relations at Lever Brothers—in the iconic Lever House on Park Avenue.  After six months there, I moved a few blocks uptown to  work at the Ladies’ Home Journal, at 54^th and Lexington (right across from what would be Studio 54 where Andy Warhol and Truman Capote played.)

There were no three-martini lunches for someone as low on the masthead as I was, but some of my colleagues did slip out for long lunch hours with older gentlemen and would come back looking rumpled and a bit tipsy.  One voluptuous blonde was having a relationship with a married account executive at J. Walter Thompson and kept us abreast of all the drama.

Yes, I did smoke at the time--in fact when I went to college there was a “smoking room” on my floor in the freshman dormitory where obsessive students like myself could sit up all night smoking, studying and living on Mars Bars out of the vending machine.  I smoked from the age of 18 until at 29 I married a Greek-American New York Times reporter who insisted I quit. (And I’m still married to him 42 years later.)

The thing you have to understand about the Sixties—and this is starting to be portrayed on Mad Men—is that at some point in the decade there was a watershed moment when everything changed 180 degrees:  everything from fashion, music and lifestyle to views on race, women’s rights, health—you name it. 

When people talk about the “Swinging Sixties” they’re talking about the last years of the decade, from about 1966 on.  The first part of the sixties was a lot like the 1950’s—conservative, uptight, well-mannered (although archaic in beliefs about sex, race, whatever.)  Clothing was  conservative and preppy, fitted to the body.  Just look at the pleated skirts and man-tailored blouses that Peggy, the secretary-turned-copywriter on Mad Men is still wearing in the season premiere, which takes place in 1966.

 Here is a photograph of me in the spring of 1965 when I was headed for the airport in Los Angeles to fly back to New York after a visit with my parents.  Can you believe the hat, shoes and gloves?  I wouldn’t believe it myself if I didn’t have the photo as proof.

And here are two photos of me on the job in 1964 and 65.  You can see that we are rocking the  sculpted beehive hairdo’s that were so lacquered with spray that they were un-squashable, inspiring jokes about rodents nesting within.

So we women all looked and dressed pretty much like the earlier seasons of Mad Men.  Then something happened. I’ve often pondered what it was that revolutionized the Sixties.  When I left Berkeley in 1963 the Free Speech movement was just a-bornin’ and it slowly moved across the country bringing sit-ins and riots on campuses, not to mention the surging of the Civil Rights movement. The Beatles came to New York in 1964  which was a cause of great excitement at the magazine. And there was the Summer of Love in San Francisco in 1967.

And suddenly hems rose to incredible heights while dresses, once structured  and controlled, became loose on the body, like tunics.  On the Mad Men premiere last Sunday, when Megan, the new Mrs.  Don Draper sang her French song and did her sexy dance, which shocked and alarmed her colleagues and her new husband, she was wearing  a black, flowing mini dress that illustrated perfectly the new fashions and attitudes.  Everything that had been up tight until 1966 soon became flowing and loose and very, very short.

 In this photo from Feb. 1967, when I was  discussing a magazine article with Ruth Jacobs on the “Jewish Home Show”, you can see that my beehive has been replaced by a pseudo-Vidal Sassoon, asymmetrical bob.  Though you can’t see it, my A-line dress with a yellow stripe down the side is very short.

On April 1, 1968, I left New York and the Ladies’ Home Journal to travel and work in Europe.  I was leaving partly to get away from the Greek-American reporter who, I was sure, would break my heart.

As soon as I left New York, Martin Luther King was assassinated, then Bobby Kennedy, then, a year later, Ted Kennedy drove off a bridge at Chappaquiddick and the Charles Manson murders terrorized Los Angeles.  From my vantage point overseas, it seemed that my  country was literally coming apart.

I had scored an editing job in London, when Swinging London was peaking.    I met the Beatles, bought clothes from Biba Boutique and shared a flat with three young women who were waiting to turn 21 so they could get their hands on their trust funds. Meanwhile they got up at four every afternoon and circulated from one club to another all night.  I, meanwhile, went to a nine-to-five job and occasionally handed over my rent in advance when the girl who owned the place got in a jam and had to be bailed out.

In 1969 I traveled to Greece, because I had reconciled with the previously mentioned reporter, and he was vacationing there. I arrived with a whole wardrobe of skirts so very short that he refused to introduce me to any of his friends or relatives until I acquired something of a more respectable length. 

 My asymmetrical bob had grown into a French twist and, for some reason, I seem to be wearing a ratty rabbit fur (or something) coat .  I won’t comment on the shoes, but it all seemed very stylish at the time.

I went back to my job in my beloved London, but we eventually agreed to marry (if I quit smoking), so in 1970, I returned to Manhattan. 

On March 18, 1970, at least 100 feminists staged a sit-in at the Ladies Home Journal, protesting the way the magazine’s mostly male staff depicted women’s interests.  They occupied the office for 11 hours.  They held prisoner my highly respected boss, John Mack Carter, and the managing editor Lenore Hershey.  They even smoked JMC’s cigars.

Unfortunately I wasn’t there to see this historic moment, because by then I was writing articles for the company's foreign syndication service and working mostly at home.  But I suspect that pretty soon I may get to see a similar feminist sit-in in the offices of Sterling Cooper Draper Pryce on Mad Men.