Suddenly I’m an M.O.B!

Last weekend (starting June 4) was one of those periods when everything seems to come together as if charmed—one fortunate coincidence after another-- and afterwards you realize that a phase of your life has ended and another has begun.

Daughter Eleni and her boyfriend, Emilio, were scheduled to come from New York City to our home in Massachusetts for the weekend to attend the Grecian Festival at our church in Worcester and for Emilio to meet our extended family and see our home for the first time (although my husband and I had met him on several occasions in New York.)

They were taking the Acela train on Friday to Providence where we would pick them up at 8 p.m. I discovered that the date, June 4, coincided with “Waterfire,” when the river in Providence is lighted with fires along with music and entertainment—so we booked a table at a restaurant overlooking the scene.

The train arrived on time (another rare occurrence) and we were seated in the Waterplace Restaurant just as the sun set. With us were the “Big Eleni” and her daughter Frosso. (Big Eleni came to live with us in 1974, a week before daughter Eleni was born, and she became a second mother to our children and the reason all of them speak fluent Greek. She was married in our Massachusetts house in 1976 and her daughter Frosso is like a younger sibling to our three.)

Daughter Eleni and Emilio produced wrapped gifts for all of us. Mine turned out to be the book “Mother of the Bride” by Ilene Beckerman. Nick’s was a DVD of the 1951 movie “Father of the Bride” starring Elizabeth Taylor as the bride and Spencer Tracy as the FOB. I was starting to get the message.

At that point, tears and hugs of joy erupted and Waterfire was forgotten. Emilio and Eleni had decided to get married sooner rather than later, on October 10, 2010 (“ten-ten-ten” as Eleni repeated throughout the weekend, like a mantra.)

Long before she met Emilio, Eleni had decided that she would be married on ten-ten-ten in the church of Panagia Mandrakina on the Ionian island of Corfu. That idea took root in April of 2008 when she traveled to Ohio for the engagement party of her friend Neela, whose Hindu wedding in Jodhpur, India, we attended in January of last year.

At that engagement party in Strongsville, Ohio, the family accountant/astrologer-- Joshi Uncle-- told Eleni that she would get married in Sept. or Oct. 2010 and that she must wear an emerald to help make this happen. That same weekend I had been trying unsuccessfully to sell my emerald ring in Manhattan, but emerald prices were down, so I gave it to Eleni.

Months before she met Emilio last July, Eleni’s aunt, Thitsa Kanta, who is an expert at reading one’s fate in the coffee grounds left over when drinking Greek coffee, started seeing a letter “E” in Eleni’s cup every time she did a reading. (She turns the cup over in its saucer when it’s down to the dregs, makes the sign of the cross over it, and when she turns the cup back over, the dried sludge has made designs that Kanta can read with uncanny accuracy, although she does like to throw in advice along with the predictions.)

Eleni was introduced to Emilio (who is from Nicaragua) by Neela and her husband Dave in March of last year in the Village Lantern bar in Manhattan where they had all gathered to watch a Duke football game. After they began dating, when Kanta would find an “E” in Eleni’s cup, she would say that it stands for “Evtychia” – happiness. Eleni would suggest that maybe it stood for “Emilio”, but Kanta would answer, “No, Emilio starts with an A”.

On May 24, Eleni and Emilio decided to marry—fulfilling the prophecies of the Hindu astrologer and Thitsa Kanta. But before telling anyone, Eleni called Arete, a cousin who lives in Corfu, to make sure that the church in Corfu beneath the Crusader fortress that looms over the harbor would be available on her special date. It was. Arete even wrangled the Greek priest who would conduct the ceremony and a Catholic priest who would assist.

By the time they told us the news, the couple already knew their wedding colors (blue and white—the colors of the Greek flag and—another magical coincidence—the colors of the Nicaraguan flag as well! )

By Saturday, phone calls announcing the joyful news had traveled round the world. On Saturday morning, Eleni sat in our kitchen and created a web site – www.eleniandemilio.com -- with information about the couple, how they met, where and when they would wed. When Emilio’s mother in Nicaragua saw the photos on the web site, she shed tears of joy. Back in Grafton we got pretty choked up too. What every parent wants for their child is a mate who will love them and help them cope with the inevitable bumps in the road ahead. Emilio seemed to be the ideal partner for Eleni, sent by the fates all the way from Nicaragua to encounter her in Manhattan.

On Saturday, Greek relatives began to appear to meet the groom. Despite the their aches and pains, two of the four Thitsas (Aunts) came over to sit under the grape arbor by the pool. Nick asked the Big Eleni to bring coffee, but she said no, on this day we must serve only sweet things—she had whipped up plenty of deep-fried loukoumades—like donut holes drenched in honey. Coffee, she said, was bitter and could not be served on such a happy day.

Later we all went to the Grecian Festival where I learned I had sold three paintings in the art exhibit and Emilio –by accident or by divine design—met a third aunt, lots of cousins and nephews and nieces and their offspring and even our Priest Father Dean, who just happened to have with him his brother-in- law who turned out (another coincidence) to be a customer and close friend of Emilio.

On Sunday, we all went to church and Emilio weathered more introductions with great tact and aplomb. At lunch, Nick produced a bottle of Lafitte Rothschild 1966 that he had set aside 36 years ago.

That evening Nick and I drove the newly engaged couple back to Manhattan. Eleni handed me several Bride’s magazines so I could learn my responsibilities as Mother of the Bride. The articles about schedules and favors and invitations and receptions and appropriate dresses sent me into a total panic. Everything needed be done six months to a year in advance and we only had four months!

But Eleni had already made a start on the momentous search for the Bridal Gown. We had an appointment the next day, Monday, she told me, at one of the two places in Manhattan where gowns could be bought off the rack in sample sizes instead of made to order, which took months.

That night, as the four of us dined at an Italian restaurant near Eleni’s apartment, Nick gave the newly engaged couple advice on the secrets of a good marriage and they listened patiently. (“Keep surprising each other every day. Never take your relationship for granted” seemed to be the major message.)

While he pontificated, I pondered how the stars and the gods and the recent full moon had come together to create a magical moment, full of love and joy; a time of new responsibilities and many tasks, but also a time for letting go, preparing to watch my daughter walk down the aisle and into a new life. In one weekend I had been given a new role in life—after three decades of being just a Mom, I had been transformed into a MOB.

Next: How to find the perfect bridal gown in an hour and a half.

Does Getting Older Mean Getting Happier?

My Aunt Kathleen always used to say, after reciting news of the latest ailments suffered by herself or her friends, “Old age is not for sissies!”

Imagine my surprise at reading in today’s New York Times, in the science section, that a large Gallup poll has determined that “people get happier as they get older; and researchers are not sure why.”

The study questioned 340,000 Americans aged 18 to 85, asking various questions about age, sex, current events, personal finances, health and other matters. They were also asked “How did you feel yesterday? Did you experience the following feelings during a large part of the day: enjoyment, happiness, stress, worry, anger, sadness.”

The researchers discovered, according to the Times reporter, that “people start out at age 18 feeling pretty good about themselves, and then, apparently, life begins to throw curve balls. They feel worse and worse until they hit 50. At that point, there is a sharp reversal and people keep getting happier as they age. By the time they are 85, they are even more satisfied with themselves than they were at 18.”

(This study implicitly echoes a brilliant statement I once read somewhere, namely that the secret to happiness is the story we tell ourselves about ourselves.)

So this is good news for crones. At 18 you think you’re great. Life from that point gets continuously worse until you hit bottom at fifty. Then there’s a sharp turn around and you get happier and happier until at 85 you’re even happier than you were at 18.

(Come to think of it, I was pretty miserable throughout my 18th year.)

An English professor of psychology said about the study, “It’s a very encouraging fact that we can expect to be happier in our early 80’s than we were in our 20’s. And it’s not being driven predominantly by things that happen in life. It’s something very deep and quite human that seems to be driving this.”

Another professor of psychology, an American, asked “Why at age 50 does something seem to start to change?”

Nobody knows why happiness hits bottom at fifty and then abruptly things start to get better, or happier. There could be a lot of explanations – even hormonal. But I suspect that part of the answer is that when we’re young, we think we can conquer the world, and by the time we’re fifty, it becomes clear that we’re not ever going to do it. Then, perhaps around the fiftieth birthday, we start to make peace with what we have achieved in life and to notice and appreciate everyday pleasures.

Yesterday, Memorial Day, I went to the cemetery in the morning and in the afternoon I went on a “photography walk” through the Tower Hill Botanical Garden, led by photographer Scott Erb and sponsored by the Worcester Art Museum.

The various gardens and fountains of Tower Hill were in full glory, and I was struck by how many of the visitors photographing, picnicking, or just walking around looking with delight at the landscape were very old. Many of them could barely walk—supporting themselves on canes or walkers or even being pushed in wheelchairs. But they were taking such joy in the flowering dogwood trees and the riot of many-colored peonies, irises and roses.

Perhaps with age comes the wisdom to know what’s really important, and, because life is precarious and nearly over, the happiness that comes from something as simple as seeing the roses burst into bloom one more time is intensified. Money can’t buy happiness but maybe old age can bring it.

Yard Sale Heaven – I’m Obsessed

People can be divided into those who like to sleep late on Saturday morning and maybe go to church or golf on Sunday, and those who are on the road at 8 a.m. both days, clutching the newspaper classified section, searching for flea markets and yard sales, determined to be the first one through the gate. Guess which category I’m in.

Those of us with “I brake for yard sales” bumper stickers are motivated by tales of life-changing finds—an original copy of the Declaration of Independence or a Paul Revere tea pot from grandma’s attic, or those Jackson Pollack paintings someone found in the trash. Every yard saler has a tale of the Big Find.



Here’s mine. Maybe 25 years ago, when I was just starting to collect antique photos, I saw a cardboard box labeled “Instant Ancestors” on a front lawn not far from the village green in my own village. In the box I found a battered small, thick leather-bound album filled with CDVs. “CDV” means Carte de Visite, and the photos, wildly popular around the time after the Civil War, are the size of a business card.

I noticed that maybe a dozen of the photos in the album were of Native Americans. The portraits were identified in type as taken by Joel Emmons Whitney at Fort Snelling, Minnesota, of Dakota warriors imprisoned after the Sioux uprising of 1862. Each one, including Chief Little Crow, was identified along with how many white men he had killed.

I was happy to pay the five-dollar price of the album. When I eventually put it up for auction at Skinner’s Galleries and got $500 return on my investment, I felt very smug. Not so much today, because I know that the value of those Whitney Indian photos has climbed so that each one of them would now bring around $500.

All yard salers are looking for that Big Find and my village of Grafton is a happy hunting grounds. (So is Brimfield MA, about 20 minutes away, where in May, July and September they roll out maybe the biggest flea market in the country.)

I think Grafton is one of the prettiest New England villages, thanks to its carefully preserved historic district around the Common. That’s why they filmed “Ah Wilderness” here back in the 1930’s. And around that historic common, with its 300-year-old Inn, I just KNOW there are treasures that will someday appear in a yard sale on someone’s front lawn.



Today, Saturday of Memorial Day weekend, was a very good day, although I don’t think any of the treasures I bought will make me rich. The first place I hit was the home of Carol and Richard, who for many years owned the Grafton Country Store—one of the longest continuously operating. They have a great collection of primitives and early prints, tools, cookware, etc. not to mention hot coffee and free donut holes to welcome the early birds. I bought 21 things, the most expensive of which was an ironstone butter crock at $20.



The next yard sale, also near the Common, greeted me with a wicker antique doll carriage --the twin of one I had as a little girl. But I wasn’t about to spend over a hundred dollars on a duplicate doll carriage, with no granddaughter to give it to. But I then I saw a stunning set of Madeira Lace work – ten place mats and a table runner—with their own blue brocade carrying case plus a handwritten note that it was “Made on the Island of Madeira for the Beede Family, makers of Madeira Wines”.





I have never been able to resist fine textiles and embroideries, so I bought the set of Madeira work, telling myself it was for a daughter’s trousseau, but at the moment, both daughters have a strict embargo against my bringing another thing into their apartment “if I can’t eat it, drink it or date it” as one put it.




The third yard sale, in a red barn in nearby Shrewsbury, was mostly furniture and there’s no more room in my house for furniture, so I came away with only a child’s rocker, which I cleaned up to put in my booth at a nearby group antique shop.




That’s how I justify my obsessive collecting— I say that it’s merchandise for the store.

So after I got back from the yard sales, I cleaned up my treasures and put price tags on them and took them to North Main Street Antiques—at least the ones I couldn’t fit into my own décor (like the apple-themed bathroom with its red lion-footed cast iron tub or the wall in my kitchen that’s filled with heart-shaped cookie cutters and other objects featuring hearts.)



At least I got to play with my treasures before carting them off to the store. And tomorrow, Sunday, I’ll hit the road early, trolling for that One Big Find.

Joanne's Poem - In Memoriam

Joanne Lykken Stockwell died of T-cell lymphoma on May 8, the day before Mother's Day, at the New Orleans home of her daughter Sarah. She and I both graduated from Edina Morningside High School in Minnesota in 1959, but I didn't really know Joanne until last year when I was trying to collect photos and biographies from classmates for our reunion book that would be published for our 50th Reunion in October 2009.

Joanne balked at writing a page of biography "that quite resembles an obituary" -- she was a poet and in the end submitted the poem below for her page, although she wrote to me: " My poems are never 'finished' and so I will resist the urge to make this one flow more smoothly, since it says what I want it to. ...As Popeye says, 'I yam what I yam!'"

She also wrote "I don't know WHY you like the picture of me with uncombed hair, piled up with dog, chid, quilts and all, but it is also one of my 'joys' so you are welcome to it!"

Joanne really was looking forward to attending the 50th Reunion, but in the end, she was not well enough. I'm reprinting her poem below and the photograph of her with her granddaughter and her beloved dog, Mr. Ferguson.

Her page was one of the most interesting in the book and with it she has left us a fine legacy--a reminder to stop now and then to tote up the simple joys in life that are, in the end, the most important gifts we have.

JOANNE'S POEM

It's not so much what I have done,
But in the end,
What I've become!
This is not in my resumé,
I think you must agree
Unless your interest only lies
With well advanced degrees!
The idea is
Exceedingly contrary,
To send a page that quite resembles
My obituary!
I cannot write a page
Extolling "wondrous
High School years."
They were a mess,
I must confess,
And brought me naught but tears!
So once again, to you I offer
The personal joys
Within my coffer:
Daffodils in Spring
Dahlia in the fall
Working in the garden
Walking in the woods
The sound of water over rocks
Chipmunks chatter
Warblers call
Anchovies in a Caesar Salad
Making oysters "Rockafeller"
Chocolate Cake
Friends I have had since I was five
A winter storm
A fireplace
Dogwood in Spring
Maple in Fall
The sound of the Ocean
No sound at all
One loyal dog
A nest of Carolina wren
And may you all stay well and strong
Filled with the music of life's song,
Until we meet again.

A Wedding with Hummingbirds

(Please click on the photos to enlarge them. See the hummingbird in the flowers upper left?)


Last weekend, we attended the wedding of my brother’s daughter, Lindsey, at the Parker Hotel in Palm Springs, CA. It was moving and beautiful for many reasons, not least the magnificent grounds and gardens of the hotel, but for me it was very special in an unexpected way, because it seemed that my late mother was there in spirit throughout the ceremony.

Martha Dobson Paulson died in 1985 at the age of 74. At that time Lindsey was only five years old, so she didn’t know much about her paternal grandmother. Last week, Lindsey was the first girl of Martha’s five grandchildren to be married.

Hummingbirds were always a special symbol of my mother. She had hummingbird feeders filled with red syrup hanging in her garden and rejoiced when they were used by the elusive visitors, which zipped around like tiny helicopters. Before she died, Martha chose the mausoleum in a San Pedro cemetery where her ashes and those of my father would be kept in brass boxes shaped like books. She selected their glass-fronted niche in the mausoleum because it had a view of a pond where ducks and swans swam.

When I went back to visit my parents’ graves some years ago, I attached some carved wooden hummingbirds to the window of the niche. I did the same to a framed photo I have in our hall of Martha posing with two of our children in 1976.

Last Saturday, as the wedding guests assembled at 6:30 for the outdoor ceremony, we admired the giant floral arrangements on each side of the altar and the pathway of white rose petals prepared for the wedding party.

We quickly realized that the place was alive with hummingbirds —dozens of them swooping toward the flowers, hovering stock still in the air, then darting away as we tried to photograph them.

The music began and my brother walked the bride down the rose petal path toward Mike, her waiting groom. The judge began to speak, leading them through their vows. Some of us were distracted from his words, watching the hummingbirds at play.

Near the end of the ceremony, a hummingbird flew directly in the face of my older daughter, Eleni, and then stopped, hanging in the air about a foot in front of her, motionless except for the blur of its wings. The bird and Eleni stared into each other’s eyes. I had never seen a hummingbird stay so still for so long —as if trying to communicate. Later I asked my daughter what the bird said and she replied with a smile, ”It said, ‘You look good!’”

After the ceremony, after the newlyweds were showered with yellow rose petals, there were cocktails and hors d’oeuvres in another garden as the sun set. The small tables held bowls in which floated white gardenias, yellow lemon slices and votive candles. I noted, but didn’t mention, that gardenias were my mother’s signature flower. When she was young, she liked to tuck a gardenia into her black hair.

We all moved through a hidden gate into a magical fairyland where we sat at tables for the toasts and the meal. The bride was lovely in her slender strapless lace gown with its long train pinned up for dancing.

I was astonished to learn that the couple had chosen for their first dance “Stardust”, a melody that was popular more than 40 years before they were born. I knew it well—it was my mother’s favorite song, sung by Hoagy Carmichael, and she played it on our old Victrola constantly when I was a child. But Lindsey and Mike had chosen it without knowing that.

The wedding of Martha’s first granddaughter to marry was, from beginning to end, a lovely, never-to-be-forgotten occasion. And I think my mother enjoyed it as much as any of the guests. Maybe more.

Crone Driving Complaints

I just drove from my daughter’s apartment on Manhattan’s Upper East Side to our home in Grafton, MA – a 180-mile, 3 ½-hour drive that I make (usually round trip) at least once a month. Sometimes I do it alone, other times, like today, I share the driving with my husband.
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Every time I complete the drive — especially by myself -- I’m inordinately proud of the feat. Because I lived in Manhattan for 14 years, I didn’t even get my driver’s license until I was 36 years old, pregnant with our third child and living in the countryside of Massachusetts. (Actually I drove from age 15 to 18 in Minnesota when I was in high school and then quit when I went to college, so had to take driver’s training all over again 18 years later.)

When I got my second driver’s license —pregnant and 36— I tried to avoid ever getting on a main highway, much less driving out of state. But I had to transport the kids to school and on play dates, and eventually I expanded my repertoire.

The drive from Manhattan to Grafton MA is really not bad —up to 96th Street, over to the FDR Drive, over the Triboro (now Robert F. Kennedy) Bridge, then eventually on to the Parkways— Hutchison and Merritt--where commercial vehicles are forbidden, thank God. This is the scenic part —full of wild turkeys and deer and a lot of charming bridges, none of which is identical —like snowflakes.

Then, just before Hartford, I get back on I-91, whether the trucks abound, dwarfing my little Prius. (Those huge double-decker auto carriers seem to rock back and forth because their center of gravity is so high—and I always think they’ll topple over, squashing me like a bug.)

At exit 29, with Hartford in view, I turn off onto I- 84 which is a really boring hour-long stretch until I pick up the Mass Pike at Sturbridge and know I’m only 20 minutes from home.

While driving, I have plenty of time to think about some of the minor annoyances encountered on the road —especially for a crone who is a rather tentative and fearful driver. (Let me say here that in the past 34 years, I’ve never had a speeding ticket and never been in an accident when I was at the wheel --knock on wood! My insurance company ranks me as the safest driver in the family.)

Here are thoughts that passed through my idle mind today as I was driving —not complaints, actually, just observations.

--Have you ever noticed that when some idiot is weaving in and out, speeding like crazy or hanging on your bumper in the silver lane because he thinks you should go faster than 75-- it’s often someone in a red car or red flat-bed truck?

--And when some centenarian ahead of you is going so slowly that you are forced to pass them, it’s often someone in a white or black car? Who is barely tall enough to see over the steering wheel.

--And when you’re trying to merge into a speedy flow of traffic, when someone finally does slow down and wave you in, have you noticed that it’s inevitably a woman?

--But when you’re in the left-hand lane and signal that you want to move to the right lane (because your exit is coming up), most men will immediately speed up upon seeing your turn signal, blocking you and making it impossible for you to change lanes.

--And then, when you discover that there is a long line of cars waiting to turn off at your exit , and you’re sitting patiently in line practicing your deep breathing exercises, some people have no scruples about jumping the line, speeding up to the front and then forcing their way onto the exit ramp, who do you think those line jumpers are? (Hint, I’m married to one. My blue Prius blushes pink every time he does this.)

--And one more observation —who do you think is more likely to jump the queue at the gas station, forget to put the cap back on the gas tank, and neglect to take the receipt for the gas? No hints here.

My kids and my husband think I’m a lousy driver because I frequently move my foot from the accelerator to the brake pedal and never drive over 80 miles per hour (or under the speed limit), but my Prius and my insurance company like my driving just fine. And every time I complete the trek from Manhattan to home I tell myself, “You’ve come a long way, Baby!”

Bring Back the Mlle. Guest Editor Contest!

In the April issue of Vanity Fair Magazine there was an article about the fabled Barbizon Hotel for Women, which served as a protective place for single women to stay in Manhattan. I wrote a letter to the VF editors about my brief stay there when I was a Mademoiselle Magazine guest editor back in 1961. Part of my letter is published in the current (June) issue of VF on page 62. But since they only printed the beginning, I wanted to share the whole letter (below) because there was a point that I’d like to make: There is no opportunity for young women today to get a foot up the ladder of success in the arts like the now-dead Guest Editor contest (and other, similar contests). Instead there are only reality shows which encourage bad behavior and drama instead of actual talent.

To: Vanity Fair letters

Reading the article by Michael Callahan about the Barbizon Hotel brought back memories of the day in June 1961 when I walked into my closet-sized room there, fresh from sophomore final exams in Appleton, Wisconsin, to find on the narrow bed a single red rose and a list of the month of activities that awaited me as a Mademoiselle Magazine Guest Editor.

They included interviews with celebrities whose work we admired (mine was artist Larry Rivers), silly photo shoots in Central Park, a makeover, a movie premier, a champagne airplane dinner flight over Manhattan as the sun set, fashion shows and P.R. breakfasts, many featuring caviar, which I had never seen before.

As we headed from the Barbizon toward the Mlle. Magazine offices each day, we Guest Eds smirked at the Katie Gibbs girls who were forced to wear white gloves, heels and stockings to their lessons in shorthand and typing.

That month-long taste of New York sophistication and glamour threw many innocent young women for a loop—just as it drove Sylvia Plath’s character, in The Bell Jar to toss her fashionable clothes off the hotel roof, suffer a nervous breakdown and ultimately attempt suicide.

(When I was there, Plath’s book hadn’t yet been published, but I heard rumors of how her 1953 crop of Guest Eds suffered food poisoning in the Good Housekeeping Test Kitchens-- an episode recreated in The Bell Jar.)

While I was there, I saw Guest Editors change their names to sound more sophisticated, pursue the divorced son of Editor Betsy Talbot Blackwell in hopes of scoring a job, try to talk themselves onto the Today show and desperately volley for a place on the masthead (even though you pretty much needed independent wealth to pay for the necessary wardrobe.)

We were received by Helena Rubenstein and Elizabeth Arden. There was always a de rigueur cocktail party at BTB’s apartment overlooking Central Park with a strolling accordionist. (One of the Guest Eds. later told me, “Every time someone started speaking French, I’d dig my heels harder into her cork floor.”)

The young man who was assigned to escort me to the Mlle. Dinner Dance (with Lester Lanin’s orchestra) later asked me to meet his parents at their Long Island country club on the weekend. (He also taught me to eat an artichoke and introduced me to my first Communist—at the White Horse Bar.)

With my Midwestern naiveté, I dressed in “slacks”, but when he arrived to collect me, the Barbizon fashion police at the desk would not allow me to walk the several yards from the elevator across the lobby to the exit. I was sent back to my tiny room to don something more appropriate.

Yes the Barbizon’s rules were insulting and repressive to the women who stayed there. It’s fun to regale my daughters with tales of the bad old days for young would-be career women. But in the Mademoiselle Guest Editor Contest, we had something that is no longer available to ambitious young females. (The program ended in 1979, the magazine folded in 2001.)

We were judged strictly on our talents, not our looks, wealth or personality.

We won the Guest Ed spots, through a series of try-outs—three as I recall, rating our work in art, photography, writing, cartooning, or poetry—unlike Glamour’s Best Dressed College Girls—who were chosen on the basis of how they looked in photographs of three outfits.

Among the women who got their first break through the Mlle. Contest were: Betsey Johnson, Joan Didion, Gael Greene, Carol Brightman, Francine du Plessix Gray, Ann Beattie, Mona Simpson, Linda Allard, and of course Sylvia Plath.

Today, ambitious young women have no opportunity to be judged on the basis of their talents. Their only options are American Idol and reality shows which promote appearance, sexual attraction and outrageous behavior over actual talent in the arts.

So in this enlightened era, despite all the hurdles I faced trying to get a foot into journalism back in the early sixties, I remember the Barbizon, with its parietal rules and the Mlle. Guest Editor contest with nostalgia.

And I have a plea on behalf of young women in the hinterlands of the U.S. who would like a first step up the ladder: bring back something like the Barbizon and the Mlle. Guest Editor contest!

Joan Paulson Gage