I love movies and I’m always thrilled when I read about a
film made for adults. It’s a sad
fact of life that the big-budget productions, issued in the summer, all feature
superheroes with super powers or Will Smith saving the universe –films intended
to appeal to teenaged boys, unless they’re made to appeal to pre-teen girls with
dreamy, pale-skinned vampires and pumped up wolfmen.
But by fall, the studios start bringing out serious films
made for adults, because it’s the build-up to the Oscars. (The nominations will
be announced on Thursday.) I liked last year’s surprise Best Picture “
The Artist” (a black and white silent
film set in the 1920s?!), and 2010’s winner—“
The King’s Speech”. I absolutely loved 2008’s winner—“
Slumdog Millionaire”, maybe more than
most because I’d recently come back from India where I posted about the reality
of the
homeless beggar children in the cities.
“Slumdog Millionaire” had a happy ending (boy gets girl and wins a
million) and a big Bollywood dance number—how could anyone resist?
But this year it’s looking as if I won’t be buying tickets
to most of the nominees for Best Picture, because I have this built-in protective
mechanism which keeps me away from exceptionally violent films. And I’m not
alone. I think most women don’t want to see strung-out scenes of violence and
torture. But this year, all the “serious” films seem to be over the top for
violence.
By the way, The New
York Times reported yesterday: “A
chain saw finally pried the inhabitants of Middle-earth out of first place at
the North American box office…”Texas Chainsaw 3rd” (Lionsgate) beat projections
and took in an estimated $23 million for No. 1 (‘Massacre’ was dropped from the
title after the Colorado movie shootings.) Quentin Tarantino’s ‘Django Unchained’…ended up second,
selling about $20.1 million in tickets, for a two week total of $106.4
million.”
This year the top-rated (by the critics) films that will
probably be nominated for Oscars have so much gore, violence and torture , I just
don’t want to put myself through it.
I did see “Lincoln”
which I liked—although I didn’t love it as much as “Slumdog Millionaire.”
But I definitely think Daniel Day-Lewis will get the Oscar for best
actor, and he deserves it. And “Les Miserables”, although it’s been
criticized for the unrelenting suffering in extreme close-ups, is also a film I
want to see. I adore the Broadway sound
track and tend to sing along at top voice when I’m driving –but only when I’m
alone, because I wouldn’t want to submit anyone else to my singing. That would
be another form of torture.
Which brings us to “Zero
Dark Thirty” a film about the killing of Osama Bin Laden. The subject fascinates me and I
was eager to see it until I read that the first half hour of the film is
devoted to scenes of torturing a man by waterboarding. I know that a half hour
of torture is more than I can sit through.
When I was seven years old in Minnesota , my very religious
grandmother would take me to Bible
movies, which often involved torture—Samson
and Delilah among others. During the torture scenes I would run
out of the theater area and huddle in the foyer to the amusement of the lady
selling tickets.
Next we have “Django
Unchained” by Quentin Tarantino. I liked “Pulp Fiction” which had its moments
of violence. But all the critics
say “Django” is way over the top. The
latest New York Magazine said of the
film, “Connoisseurs of ‘wet’ gore will be
especially delighted, given that every bullet generates a whoopee-cushion’s
worth of red sauce. The only
violence that’s not a kick is done unto slaves, who are whipped, torn to pieces
by dogs, and, in a particularly ugly moment, driven to slaughter one another
for sport….It’s manna for mayhem mavens.”
Does this make you want to rush out and buy a ticket?
I think that filmmakers believe that every time they make a movie
they have to surpass the last one in shocking the audience, either with sex or
violence. Consider all the great
films in which the sex happened off camera (and was much sexier because of
that). And think of “Psycho”, which
terrified a whole generation out of taking showers. Nowhere in the shower scene of “Psycho” do you see knife slicing into flesh or even a naked body,
and yet the murder is so much more terrifying because of what you DON’T see.
I saw the previews of “The
Impossible” –based on a true story of a family caught in the terrible tsunami
which ravaged Thailand in 2004. The New
York Times review said in part: “’The Impossible’ is also, in its way, a
horror film, with nature as the malevolent force threatening innocent lives.
The dramatic emphasis is on the anguish of a mother and her son, who survive
the waves and are separated from the rest of their family.” Evidently much is made of the
severe wounds the mother suffers, with lots of close ups. People
magazine said, “It could turn a sensitive
viewer—and who isn’t in these troubling days—into a ball of anxiety.”
I’m going to
opt out of this one.
A movie I would like to see, but probably won’t is “Amour”, the French-language film which
many are calling the best of the year.
It tells the story of a devoted couple, married for decades, when the
wife suffers a stroke and begins to fail while the husband looks after
her. “Her movement is restricted on one side, speech falters and dies to a
moan; diapers are required.” according
to the New Yorker review. …”Even George’s resources are of no avail,
and that is why he is forced to consider, at the last gasp, what love required
him to do. All amour is fou.”
I probably will force myself to go see this film, which
is earning accolades, because, after all, my husband and I are in our seventies
and have been married over forty years, and the next stage in our life is what
this film is about, but I have a feeling that’s it’s not going to be a fun
evening.
I’ve heard really good things about “Silver Linings Playbook”, including that it is both funny and
uplifting, but as soon as I told my husband it’s about two people with mental health
problems coming out of rehab, he vetoed going. And then people are suggesting that “Life of Pi” is likely to be nominated for Best Picture. I heard it’s
beautiful to watch, and the trailer is stunning, but I read the book and at the
end wondered why I had invested that much time in the story of a youth who gets
stranded on the ocean in a small boat with a tiger. I think the whole thing was a metaphor for something that I
never figured out.
“Beasts of the
Southern Wild” I’ve desperately wanted to see ever since I first read about
it. Here’s a bit from The New York Times:
“One of the most
striking aspects of ‘Beasts’, given
its pedigree, is the way it blends realism and fantasy, allegory and
observation. ‘Once there was a Hushpuppy,’ the narrator (herself the Hushpuppy
in question, played by the remarkable Quvenzhané Wallis) informs us, and this
6-year-old girl, living in tough circumstances in a stretch of Louisiana bayou
called the Bathtub, very much resembles the heroine of a fairy tale.”
I would love, love, love to see this film, starring a sassy six-year-old
girl of rare courage, but it was so briefly in a local theater that I missed it
because I was traveling. Maybe it
will come back after the Oscars if it wins enough statuettes.
I think I’m not alone in wishing that serious filmmakers,
trying to make serious films, would not feel the need for explicit torture and
gore to make their point. We have
enough of that in real life. We’ll
see on Sunday Feb. 24th if Oscar voters agree with me.