Photographing New York Shadows

-->

In a recent post called “Reflections on the Windows of Greece” I mentioned that, when I’m traveling, for some reason I’m drawn to photographing windows in Greece, doors in Paris and chairs in Nicaragua. (Don’t know why—it’s not a conscious decision.  I think the doors and windows attract me because I’m always wondering what lies behind them.)

(What I love to photograph best in every country is people, especially children, but that can often get you in trouble.) 

Lately, while walking around Manhattan with a camera in my hand, I’ve become fascinated with the shadows cast by the fire escapes.  (I’ve mentioned before that my good friend Mari Seder, who is an award-winning professional photographer, once told me that sometimes the shadow is the most important part of the photograph.) 

Whenever I drive into Manhattan, when I turn off the FDR Drive onto 96^th Street, I notice the building above, uninhabited except for the bodega on the ground floor. If the sun’s out and the shadows are there, I take a picture through the windshield (while I’m stopped, waiting for the light to change of course!)  I love the crazy zigzag patterns of the shadows.

The other day, while walking on Third Avenue in the Seventies, I came upon a block that was a virtual symphony of fire-escape shadows.  Do you like the panoramic photo above or the closer photo below best?

I also tend to photograph architectural details.  In Manhattan, it’s important to look up (except when crossing a street, of course!  Those taxis can be lethal!)  You’ll find all sorts of unexpected treasures, like these.

 Once I started looking for shadows that make pleasing patterns, I found them everywhere.  Here’s  a photo I took while waiting for a check-up in my doctor’s examining room!

And here’s a table and chairs outside near the pool.

When I left Manhattan last Friday, I rode on a LimoLiner bus which traversed Adam Clayton Powell Jr. Boulevard in Harlem.   It was lined with antique buildings with fire escapes. We were moving too fast for good positioning, but I snapped this photo through the window before Manhattan faded into the distance.

Ode to a Chair (And Some Windows)

(Please click on the photos to make them bigger.)

When I travel, I seem to be drawn to photographing windows and doors.  And chairs.

The windows and doors intrigue me, I guess, because they hint at the mysteries that lie within.  I always want to open the door or peer in the window, but I never do.  I just take a photograph.

I even made a series of notecards featuring Greek windows.  Here (above and below) are eight of the shots.

Chairs, especially the caned taverna chairs that you see all over Greece, often painted blue, seem poignant to me, as if they’ve been abandoned or are waiting in vain for the old Greek men who used to sit in them, drinking ouzo or coffee and playing tavli, all the while clicking their worry beads in one hand.

Just now, when I traveled to Nicaragua, I was fascinated by the beautiful chairs I saw everywhere there—which were mostly rocking chairs—wicker or bentwood, Thonet style.  They were so graceful and elegant, with their S curves and lacey designs. (The wicker ones piled together  below are in a colonial mansion in Granada which is being restored.)

La Gran Francia, our hotel in Granada, even had some chairs attached to the wall as decoration.

In Granada, every small shop seemed to have a rocking chair inside or outside the front door, where the proprietor could sit and watch the world go by.  Many small homes had the same thing.

In wealthier homes, the rocking chairs were on the inside—usually near the central courtyard, positioned to take advantage of the garden views and the cool breezes that would flow through the house because the huge doors were left open, protected by wrought iron gates.

When we traveled to the island of Ometepe, created by two linked volcanoes in Lake Nicaragua, every little casita had its rocking chairs on the veranda, so you could sit and admire the view of the lake below, seen through the tropical trees, with background music from the monkeys and exotic birds.

Life in Nicaragua seemed so much slower and more contemplative, and everything was designed to make the most of the view. 

And when we traveled to Playa del Coco, staying in one of several villas looking out at the waves of the Pacific Ocean, there were plenty of rocking chairs or Adirondack chairs placed for the enjoyment of the surf and the sunset, which was different every night but never failed to provide lights and colors better than any Fourth of July fireworks display.

One of the lessons learned in Nicaragua was to just sit and rock and really take the time to appreciate the view/ sunset/ breeze or passing street scene.  I think that’s part of what Dominique Browning was talking about when she entitled her blog Slow Love Life.