Suri Cruise has a Fashion Challenger

Did you know that Suri, the pre-school daughter of Tom Cruise and Katie Holmes, has a fashion blog that reports on what she's wearing every day?  Suri is famous for her pint-sized designer dresses and the fact that she often wears mini-high heels, even to the playground, causing moms of other pre-schoolers to gnash their teeth.

But Suri had better watch out, because there's another little girl who is threatening to take over as fashion guru and predictor of new style trends. And while Suri is five years old, my granddaughter Amalía is only five months old.  Yet she's  making daring and eclectic fashion choices.

It's all about accessories, and Amalía knows that God is in the details.  Here she  uses her lavender Bumbo chair as a striking contrast to her gray knitted dress.

But when she's in a spring-like mood, she plays off a flowery garden party number against the lavender Bumbo.

Sometimes she wears designer labels like Calvin Klein for public appearances.

But at heart, she's true to her school. (Her mommy's school--Bancroft.)

A daily decision is whether to wear stripes

or dots

or stripes on stripes

or stripes with lavender butterfly sandals

or to solve the dilemma by combining the stripes with giant polka dots.

The unusual fashion choice is what sets a fashion guru apart.  Like a frog hat.

Or better still, rocking Papi's beret.

When it gets chilly in Miami Beach you should really bundle up.

Amalía's life has become complicated with the introduction of real food (in addition to breast milk.)

So many decisions like:  What to eat?

And when you're teething, anything handy looks like something to chew on.

And after a whole day of making cutting-edge fashion decisions, sometimes you just give up and fall asleep in your high chair.

Crone of the Week: Hollywood Pioneer Dies at 111

    

University Press of Kentucky

It’s been a long time since I’ve picked a Crone of the Week, but now that it’s awards season,  the honor had to be revived and the statuette dusted off for  silent-era script writer Frederica Sago Maas, who died on Jan 5 at the incredible age of 111. (She was the 44^th oldest verified person in the world.)

                                                                                       San Diego Union Tribune

The New York Times’ obituary for her begins: “She told of Hollywood moguls chasing naked would-be starlets, the women shrieking with laughter.  She recounted how Joan Crawford, new to the movies, relied on her to pick clothes.  Almost obsessively, she complained about how many of her story ideas and scripts were stolen and credited to others.“

In the 1920’s, in Hollywood, Frederica fumed as her writing and ideas were attributed to others. That’s what happened to women writers in those days.  In New York in the 1960’s I often had the same experience.  In fact, when I went to Time-Life headquarters to apply for a job with one of their magazines, armed with my Master’s in Journalism and my Phi Beta Kappa key, the (female) interviewer told me—“if you really want to write, don’t apply here, because women can never become writers at Time-Life, only researchers.” 

But Frederica Sagor Maas found a good way to get back at those people who stole her writing—she outlived them all and recorded her Hollywood stories in a scathing memoir in 1999 when she was 99 years old!  “I can get my payback now,” she told an interviewer. “I’m alive and thriving and, well, you S.O.B.s are all below.”

Frederica Sagor Maas  was born on July 6, 1900 in Manhattan to Jewish immigrants from Russia.  (Her mother supported the family as a midwife.)  She studied journalism at Columbia (as did I), worked as a copy girl for the New York Globe, then became a story editor at Universal Pictures’ New York office.  In 1924, she moved to Hollywood and was signed to a three-year contract with MGM, where she wrote screenplays, including a hit film for Clara Bow.

Frederica married a fellow screenwriter, Ernest Maas, in 1927.  The couple lost $10,000 in the 1929 stock market crash and then found all their screenplays rejected. They were also investigated by the FBI for subscribing to Communist publications.  They struggled to find work as writers’ representatives and then writing for political campaigns. In despair, in 1950, the couple decided to commit suicide and drove to a hilltop where they planned to asphyxiate themselves with carbon dioxide from their car.  But they suddenly changed their minds, clutching each other in tears and turning off the ignition before it was too late.

In her autobiography, “The Shocking Miss Pilgrim: A Writer in Early Hollywood”, Frederica tells stories about early Hollywood stars like Clara Bow, Joan Crawford, Greta Garbo and Louise Brooks.  She is particularly hard on her old studio bosses, whom she portrayed as “amoral debauchers”

Her husband died of Parkinson’s disease in 1986 at 94 years old.  Frederica got a job as a typist in an insurance agency by lying about her age.  Then, in 1999, she wrote her autobiography, which is now a standard reference for early Hollywood history. The couple never had children and Frederica died with no immediate survivors. 

The New York Times obituary ends: “As for movies, Mrs. Maas stopped going.  “I think the product they’re making today,” she said in 1999, “Is even worse than the product we made in the early days.”