Showing posts with label antique photos. Show all posts
Showing posts with label antique photos. Show all posts

Wednesday, June 11, 2014

Free Father's Day Cards

An encore from a popular post in 2012:

Some time ago I designed some Father's Day cards using antique photos from my collection. 

Here are three of them.

Just in case you haven't gotten around to buying Dad a card yet -- Father's Day is June 15 this year--feel free to assemble your own card by printing one of these, pasting it on a blank piece of folded paper, and writing a sentiment and your name inside, with lots of "X"s and "O"'s.

Free Father's Day Card.

Take that Hallmark!

 (Inside: "You rock!  Happy Father's Day!")


(Inside:  "That's my excuse.  What's yours?  Happy Father's Day.)


(Inside: "Happy Father's Day from your dog.")

Thursday, May 30, 2013

Free Father's Day Cards


Posted this last year--now I'm posting it again.  Love those Victorian photos!

Some time ago I designed a few Father's Day cards using antique photos from my collection.
Here are three of them.

Just in case you haven't gotten around to buying Dad a card  -- Father's Day is Sunday, June 16 this year--feel free to assemble your own card by printing one of these, pasting it on a blank piece of folded paper, and writing a sentiment and your name inside, with lots of "X"s and "O"'s.

Free Father's Day Card.

Take that Hallmark!

 (Inside: "You rock!  Happy Father's Day!")


(Inside:  "That's my excuse.  What's yours?  Happy Father's Day.)


(Inside: "Happy Father's Day from your dog.")

Friday, June 29, 2012

The Prince Imperial – Murdered by Zulus


The story behind the photo


 I wrote a post in May about an antique photograph in my collection which I called “The Executioner’s Granddaughter”, a small CDV which led me to the fascinating story of the Royal Executioner of France,  Charles Henri Sanson, who didn’t want to kill people—he wanted to be a doctor—but in the end he introduced the guillotine as a more humane way of execution, decapitated King Louis XVI and nearly 3,000 other victims.

That photo motivated me to hunt for another small CDV (carte de visite)  I remembered in my collection -- a young boy in what appeared to be a uniform.  On the back was the name of the photographer-- H. Tournier,  57 Rue de Seine, Paris. Someone had written in pencil “Prince Imperial.”

I vaguely thought this must be another reference to the French Revolution—maybe some aristocratic child who  had been forced to flee.  But thanks to Google, which didn’t exist when I started collecting and researching photos, I learned that the handsome and resolute little boy was Napoleon IV—or would have been if he had lived long enough.  He died at age 23 and, according to Wikipedia, “His early death in Africa sent shock waves throughout Europe, as he was the last dynastic hope for the restoration of the Bonapartes to the throne of France.”

Born in Paris in March 1856 to Emperor Napoleon III of France and Eugenie de Montijo, the boy eagerly accompanied his father to the front during the Franco-Prussian War of 1870-1871 when he was only 14.  Eventually his family had to flee to England where Bonapartists proclaimed him Napoleon IV on his father’s death.  There were rumors he would marry Queen Victoria’s youngest daughter Princess Beatrice

The Prince Imperial attended the Royal Military Academy in England, joined the Royal Artillery and, when the Zulu War broke out in 1879, he insisted on taking part in the conflict.  His mother, Empress Eugenie, and Queen Victoria  arranged for him to go only as an observer and, though he was keen to take part in the action, his superiors were told the Prince must be at all times protected by a strong escort of bodyguards. Special charge went to Lieutenant Jahleel Brenton Carey. 

On the morning of June 1, 1879, his troop set out to scout in a forward party that left earlier than intended and without the full escort, due to the Prince’s impatience. As they rode deep into Zululand, the Prince took over command from Carey, who had seniority. At noon they stopped at a deserted kraal, lit a fire and then about 40 Zulus fired upon them and rushed toward them.  
 painting by Paul Jamin

According to Wikipedia, “The Prince’s horse dashed off before he could mount, the Prince clinging to a holster on the saddle—after about a hundred yards a strap broke and the Prince fell beneath his horse and his right arm was trampled. He leapt up, drawing his revolver with his left hand and started to run – but the Zulus could run faster.  The Prince was speared in the thigh but pulled the assegai [spear] from his wound.  As he turned and fired on his pursuers, another assegai struck his left shoulder.  The Prince tried to fight on, using the spear he had pulled from his leg, but, weakened by his wounds, he sank to the ground and was overwhelmed.  When recovered, his body had eighteen assegai wounds and [he was] stabbed through the right eye which had burst and [it] penetrated his brain.  Two of his escorts had been killed and another was missing.”
 Age 14 (1870)
The body of the prince was ritually disemboweled by his killers, “a common Zulu practice to prevent his spirit seeking revenge.”  The man charged with protecting him, Lt. Carey, survived—he and four other men fled and did not fire a single shot at the Zulus.  After a court martial, Carey lived the rest of his life in disgrace. The Prince’s mother Eugenie made a pilgrimage to the spot where her son died.   His death was an international sensation. And the rule of the Bonapartes was over.
 Age 22, 1878
When I looked on line for images of the Prince Imperial I found several of him later in life, but no image identical to the one I own.  This small photo of a brave little boy may be rare and valuable, or it may not, but it’s still another antique photo that led me to a story out of the past that I would have never discovered otherwise. 

Friday, June 8, 2012

Free Father's Day Cards

Favorite Photos Friday

Some time ago I designed a few Father's Day cards using antique photos from my collection.

Here are three of them.

Just in case you haven't gotten around to buying Dad a card yet -- Father's Day is June 17 this year--feel free to assemble your own card by printing one of these, pasting it on a blank piece of folded paper, and writing a sentiment and your name inside, with lots of "X"s and "O"'s.

Free Father's Day Card.

Take that Hallmark!

 (Inside: "You rock!  Happy Father's Day!")


(Inside:  "That's my excuse.  What's yours?  Happy Father's Day.)


(Inside: "Happy Father's Day from your dog.")

Friday, March 27, 2009

MORE FASHION VICTIMS, INCLUDING CELEBS!





Here are five more of the Vintage Fashion Victims cards that I designed using photos from my collection of antique images. As I wrote in the text introduction that will be included with the 30 jumbo postcards in the series, once photography was “invented” by Daguerre in 1839 (other men like Talbot were also discovering their own photographic processes at the same time), everyone wanted to have at least one photographic portrait taken in his or her lifetime, and a trip to the photographer’s studio required much thought about what to wear.

By 1854, paper photos mounted on cardboard backing became generally available and not as expensive as the cased images—daguerreotypes and ambrotypes—that came before. (Small ones were called Cartes de Visite or CDVs and larger ones were cabinet photos). Everyone eagerly bought, collected and put in albums photos of celebrities, politicians, freaks from Barnum’s circus (especially “General Tom Thumb”) and actors and actresses, as well as members of one’s own family.

Two of the women in the photos above were celebrities—one was the Queen of Spain and the other was a mistress of the Prince of Wales. Naturally women everywhere wanted to see what these illustrious women wore, so photographers selling their portraits made good money.

I’m also including one of the earlier images—a daguerreotype of two sisters in identical dresses. A friend noticed in my last blog entry that one of the women was wearing fingerless gloves a la Madonna. The two sisters in the dag above are really rocking the black lace fingerless gloves, which were in style in the 1850’s when this daguerreotype was taken. If you click on the photos, they’ll get bigger.

11. The caption on the card says “I’ve got a tiara, a title and an 18-inch waist, and I still can’t get a date.” On the back, the explanatory note says: This cabinet card was taken in Madrid by Fernando Debas, who seemed to make his living photographing the Spanish royals. The lady is “Maria Christina de Habsburgo-Lorena, Queen of Spain”, whom he also photographed in 1893 with a little boy identified as “Alfonso XIII, King of Spain.” The photographer airbrushed a bit to make her tiny waist even smaller. Imagine the corset she’s wearing, and the pain!

13.
The caption says: "Someday I bet, women will get to vote, smoke, and wear skinny jeans.” The note on the back: Image from a stereoview published by George W. Griffith in 1903, a racy photograph of a “fast” modern woman showing lots of leg and smoking a cigarette. The caption on the original stereo card says, “Waiting for the Boys to Come Up.” (Stereoviews were 3-D when viewed through a stereoscope and views of famous sites around the world and comic situations acted out by actors—often in risqué situations-- provided hours of amusement in every home. This is what people did before there were movies!)

26. The caption says: “Does this suit make my butt look big?" The note on the back: Those two bathing-suit beauties are back on the beach in their sassy shoes, shamelessly showing off their bodies on this stereoview, but it has been stamped on the back ‘Approved for Sunday 1930’ by the Commissioner of Public Safety in Boston, despite the risqué display of skin. These flappers are clearly members of the Lost Generation.

3.
The caption on the photo: “My stylist swore it was one of a kind!" The note on the back: A daguerreotype of two sisters(?) in dresses made from the same extraordinary fabric. Both have white lace collars, black lace fingerless gloves and the winged hairstyles that date this to around 1850. Boned corsets underneath bind their breasts flat. The tinting to their faces and hands was done in the photographer’s studio.

9.
The caption on the lady in the foxtails and fur wrap reads “P.E.T.A. Schmetta! These foxes should consider it an honor!” The note on the back: Written on the back of this cabinet card, taken by W&D Downey in London, Photographers by special appointment to Her Majesty the Queen are the words: “Mme. Cornwallis West, June 27th ’83.” Mary Cornwallis West (1835 – 1917), nicknamed “Patsy” , was the daughter of a mistress of Price Albert. She herself became the mistress of Edward, Prince of Wales, when she was just 16. She was quickly married to Col . Cornwallis-West, a loyal man about twice her age. In her fifties, she fell in love with a 23-year-old sergeant who had been wounded in the First World War, causing a scandal that rocked the government. In this photograph, “Patsy” is 48 years old.